
about
Medha Singh is an award-winning poet, translator and editor. Her writing is published internationally, widely anthologised, and translated into French, Spanish and Hindi.
As winner of the Scottish Book Trust New Writers Award for Poetry in 2024, Singh was awarded a £2000 bursary for the completion of a new work. Her latest collection, Afterbody, is due to be released in May by Blue Diode (Edinburgh).
Singh has published a work of translation I Will Bring My Time: Love Letters by S.H. Raza (Vadehra Art Gallery, 2020), a collection of love letters translated from the French, penned by Indian modernist painter Sayed Haider Raza during his time in France, and her poems appear in Ecdysis (Paperwall, 2017).
Singh won the wRICe fellowship in 2020 (Australia, RMIT University) and was long-listed for the Toto Funds the Arts Awards (India) in 2019 and 2020. She took her MSc in Creative Writing from the University of Edinburgh.
poetry
Publications of her poetry can be found in some of the UK and India's leading contemporary magazines: Firmament, Almost Island, Hotel, Berfrois, Interpret, The Robert Graves Review, Bad Lilies, Outcrop, 3:AM, Indian Quarterly, Indian Cultural Forum, The Bombay Literary Magazine, Poetry at Sangam, Cordite, and Kitaab, among others.
Her writing has been anthologized in Singing in the Dark (Penguin, 2020), Gollancz Book of South Asian SF, volume II (Hachette, 2021), Modern Indian Poetry by Younger Indians (Sahitya Akademi, 2020), Best Indian Poetry 2018 (RLFPA editions), Divining Dante (Recent Work Press, 2021), Future Library: Contemporary Indian Writing (Red Hen Press, 2022), Converse: Contemporary English Poetry by Indians (Penguin Random House, 2022), and The Best Asian Poetry (Kitaab, 2022)
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interviews
Her interviews have appeared on the websites of The Pablo Neruda Foundation - Chile, NERObooks - Boston, POV - Denmark, Queen Mob's Teahouse - London, and JCAM - Massachusettes among others.
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editor
Greg Gerke on Ingeborg Bachmann's Malina
Stuart Walton on Ulysses' centenary
Farah Abdessamad on François-René de Chateaubriand
Marian Janssen on Elizabeth Bishop
Andre Gerard on Virginia Woolf and Katherine Mansfield
Sonya Alexander on Alfonso Cuaron's Roma
Hannes Schumacher: Now, Apocalypse
Marian Janssen on John Berryman
No Stone Unturned by Farah Abdessamad
Stuart Walton on The Waste Land
Patrick Romero McCafferty on tea farming in Scotland
Grounding One’s Language in the Authority of Woman by Albert Rolls
Andre Gerard on Virginia Woolf and D.H. Lawrence
Andrea Brady on Diane Di Prima
Oscar Mardell goes inside the C/castle
Paul Vacca on Proust and digital life
A Tribute to Uchrony by Paul Vacca
North of North Africa: Farah Abdessamad in Italy
Tabish Khair: Inevitable Friction
Marian Janssen on Carolyn Kizer
B. Alexandra Szerlip on animal trials
Andre Gerard on Arthur Conan Doyle
Samik Dasgupta reviews Digital Souls: outliving death
Poems: “40-46” by Priya Sarukkai Chabria
Short Story: ‘The Tide’ by Abraham T. Zere
Hannes Schumacher on Les maîtres fous and Koriam’s Law
Oscar Mardell on Jeff Goldblum
B. Alexandra Szerlip on spy tech
Poems and Photos: Trev Eales on Debbie Harry and Patti Smith
Living in Typogravia by Chinmaya Lal Thakur
Andre Gerard on Thomas Love Peacock
Paul Vacca: How to Be an Incipit
Genese Grill's Winter: Every Fact a Theory
prose
Between Baudelaire and Benjamin: On Photography, Function, Fascism
Stage to Screen: Theatre, The Misfits and the American Cowboy
Medha Singh interviews Gregory Leadbetter
Indian democracy at a crossroads, on the 2019 election
Medha Singh interviews Arun Sagar
The #MeToo movement ignores the real nature of male violence in India
International Women's Day: A Brief Summary
The Muslim body is more than its politics: Medha Singh on Maaz Bin Bilal
Medha Singh reviews Tranquility Base Hotel + Casino by the Arctic Monkeys
education
2021 - 2022
University of Edinburgh
MSc Creative Writing (Distinction)
Edinburgh, United Kingdom
2015 - 2016
Sciences Po, Paris
Paris School of International Affairs
Exchange Program
2014 - 2016
Jawaharlal Nehru University
M.A. English (First Class)
New Delhi, India